Difference between revisions of "Ghyll:Not Peershakes"

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dib'--[[User:Nikos of Ant|Nikos of Ant]] 16:23, 22 Aug 2005 (EDT)
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[[Peershakes|M. Peershakes]] lived from -204 [[EC]] to -152 [[EC]]; the personage known as '''Not Peershakes''' lived from goodness knows when to I really don't know. This lack of numerical clarity stems from the fact that whoever this guy, gal or grubling was, the identity is completely unknown or unremembered or very-well-forgotten by all of Ghyll. There have been and are, however, numerous people alleged to have been Not Peershakes: you just can't stop a [[lay public|curious public]] from making a guess, educated or not as the case may be. There are also numerous works attributed to Not Peershakes, all signed "Peershakes" of course, except for "T'as a blimey nikt," a play about the exploits of funnyman K Mrx. Again, lack of any factual basis with which to base their opinion doesn't seem to stop the masses from making a claim.
  
[[Peershakes|M. Peershakes]] lived from -204 [[EC]] to -152 [[EC]]; the personage known as '''Not Peershakes''' lived from goodness knows when to I really don't know. This lack of information is derived solely from the fact that whoever this guy, gal or grubling was, is completely unkown or unremembered or very-well-forgotten by all of Ghyll.  There are numerous prospects alleged to be Peershakes, the most widely voiced being the journeyman grenfer from Shepenor, Frank Sicksdagrees.
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As to the most likely suspect (as defined by public opinion polls), the most widely accepted is the journeyman [[grenfing|grenfer]] from [[Shepenor]], Frank Sicksdagrees. He lived just prior to and during the Grenf Tracing Ban of -147 [[EC]]. Only one piece of poetry that surely is his has been saved for posterity, but it is so bad a piece that I refuse to print it here (but you may go to [[Mureannor|this scholar's work]] to read it). Other suspects include X R Quezlar, Olaff Devork, Pomfri Resgrew, and [[Rattallan]].
  
There are also numerous works attributed to Not Peershakes, all signed "Peershakes" of course, except for "T'as a blime nikt," a play about the exploits of funnyman .  One work that is proclaimed a Peershake by one faction and a Not Peershake by an opposing camp is "A Comedie of People Beinge Hit In The Face by Pie" written circa -171 [[EC]]. The pie in question is a lemming pie and to this day this work is cited in art history as the most famous use of the pie in art.
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As for disputed works, one that is proclaimed a [[Peershakes]] by one faction and a Not Peershake by another is "A Comedie of People Beinge Hit In The Face by Pie" written circa -171 [[EC]]. The pie in question is a [[lemming pie]] and, to this day, the work is cited in art history as the most famous use of the pie in the history of art. I, myself, do not care for lemming pie and cannot understand the devotion you screwballs have to the dessert!
  
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As was said earlier, one work is definitely signed "Not Peershakes" and yet, the authorship is still in question: no one knows if indeed it truly was the person calling him- or herself "Not Peershakes" who had simply tired of faking any semblance of the talented writer, or if it was yet another imposter who wanted to ride on the pincertails of the "Great Imposter." What makes this discussion even more strange is the fact that "T'as a blimey nikt," is actually quite a good play. Indeed, so good a play that some hold the bold assertion that it was [[Peershakes]] himself who wrote it and then signed it "Not Peershakes" as a kind of perverse joke. Whether Peershakes was a pervert or not, this author cannot say: I report the facts, I don't necessarily believe them!
  
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As for "true" [[Peershakes]] plays, the whole of the [[Amphitheatre aristocracy]] is quite agog about them, and at the same time blindly disgusted by anything that smells of Not Peershakes. This avoidance is so distinct and well-known that the [[NeoAlezanians]] took advantage of it in -12 [[EC]] and played the [[Mish prank]], a joke of such disgusting frivolity that it is still spoken of today in both Peershakes and Not Peershakes circles.
  
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'''Citations''': [[Amphitheatre aristocracy]], [[Mish prank]], [[Peershakes]].
  
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--[[User:Nikos of Ant|Nikos of Ant]] 23:32, 22 Aug 2005 (EDT)
  
 
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[[Category:People]]
 
 
 
 
 
 
 
 
"Carving interesting patterns in carapaces has probably been done for at least a thousand years. Grenfing, the process of creating a mureannor by carving grooves with varying width and depth so that, when traced with a mandible, the whole carapace would resonate with sound, dates from about -350 EC.
 
 
 
Mureannors would travel from village to town, and would entertain locals by tracing their grenfs and causing the sounds to resonate from their carapaces.
 
 
 
However, any new development is invariably corrupted. Young couples soon found it enjoyable to have matching patterns, and would take turns tracing each others' grenfs. In -147 EC, Reeyay pronounced the tracing of others' grenfs to be indecent, and sought to have it banned. This led to a period of great popularity for grenfed carapaces over the next three decades.
 
 
 
Verses of Peershakes' sonnets were very popular subjects which people would have grenfed into their carapaces. Frank Sicksdagrees, widely suspected to be the impostor known as Not Peershakes, was a journeyman grenfer in Shepenor. Quite probably, he first came across Peershakes' verses when clients began bringing in wonderful bits of poetry for grenfing into their carapaces. But the only bit of verse reliably attributed to Mr. Sicksdagrees is this bit of doggerel:  
 
 
 
Whoah that's a big belly,
 
Waddling down the street.
 
I wouldn't want to be
 
Between him and his lunch table.
 
He looks like he knows how to
 
Wield a buffet mace.
 
 
 
Of course, with the familiarity youth have with one another today, running a mandible along the grenfs on a sleek, shiny carapace just isn't as exciting as it once was"
 
 
 
 
 
 
 
"Gimlet is a play written about -167 EC by M. Peershakes (b. -204 EC, d. -152 EC). In his day, Peershakes was a noted scribbler and versifier. Productions of Gimlet are a perennial favorite among the Amphitheatre aristocracy and numerous famous stage actors have played the part of the title character. Since a full production of the play takes almost six hours, there are many abriged versions which are more commonly presented.
 
 
 
Gimlet was first presented at the Folktown Amphitheatre in -166 EC by the Third Horse Grenadiers, one of the finest troupes of players in the history of theater. Peershakes was a member of this company, and had already written almost a dozen other minor plays for them, many of them simple extrapolations of wive's tales. Gimlet was an immediate hit, and was performed no less than thirty times in the following year.
 
 
 
The story of Gimlet is an appealing farce. Gimlet is a young prince of Iganefta-on-the-Sea. Through an amazing series of coincidences, he finds himself in one predicament after another, and he goes through a series of screwball adventures with his two pals, Rocky and Guido. Their adventures include acting out a play for the king, playing hide-and-daggers, and cleaning their ears. In its day, it was a scandal for purportedly revealing secrets of the "Skull and Clown Society" at Bute University. But there is little real information about the organization in the play."
 

Latest revision as of 17:48, 29 August 2005

M. Peershakes lived from -204 EC to -152 EC; the personage known as Not Peershakes lived from goodness knows when to I really don't know. This lack of numerical clarity stems from the fact that whoever this guy, gal or grubling was, the identity is completely unknown or unremembered or very-well-forgotten by all of Ghyll. There have been and are, however, numerous people alleged to have been Not Peershakes: you just can't stop a curious public from making a guess, educated or not as the case may be. There are also numerous works attributed to Not Peershakes, all signed "Peershakes" of course, except for "T'as a blimey nikt," a play about the exploits of funnyman K Mrx. Again, lack of any factual basis with which to base their opinion doesn't seem to stop the masses from making a claim.

As to the most likely suspect (as defined by public opinion polls), the most widely accepted is the journeyman grenfer from Shepenor, Frank Sicksdagrees. He lived just prior to and during the Grenf Tracing Ban of -147 EC. Only one piece of poetry that surely is his has been saved for posterity, but it is so bad a piece that I refuse to print it here (but you may go to this scholar's work to read it). Other suspects include X R Quezlar, Olaff Devork, Pomfri Resgrew, and Rattallan.

As for disputed works, one that is proclaimed a Peershakes by one faction and a Not Peershake by another is "A Comedie of People Beinge Hit In The Face by Pie" written circa -171 EC. The pie in question is a lemming pie and, to this day, the work is cited in art history as the most famous use of the pie in the history of art. I, myself, do not care for lemming pie and cannot understand the devotion you screwballs have to the dessert!

As was said earlier, one work is definitely signed "Not Peershakes" and yet, the authorship is still in question: no one knows if indeed it truly was the person calling him- or herself "Not Peershakes" who had simply tired of faking any semblance of the talented writer, or if it was yet another imposter who wanted to ride on the pincertails of the "Great Imposter." What makes this discussion even more strange is the fact that "T'as a blimey nikt," is actually quite a good play. Indeed, so good a play that some hold the bold assertion that it was Peershakes himself who wrote it and then signed it "Not Peershakes" as a kind of perverse joke. Whether Peershakes was a pervert or not, this author cannot say: I report the facts, I don't necessarily believe them!

As for "true" Peershakes plays, the whole of the Amphitheatre aristocracy is quite agog about them, and at the same time blindly disgusted by anything that smells of Not Peershakes. This avoidance is so distinct and well-known that the NeoAlezanians took advantage of it in -12 EC and played the Mish prank, a joke of such disgusting frivolity that it is still spoken of today in both Peershakes and Not Peershakes circles.

Citations: Amphitheatre aristocracy, Mish prank, Peershakes.

--Nikos of Ant 23:32, 22 Aug 2005 (EDT)