Difference between revisions of "Ghyll:Forbidden Tom"

From Disobiki
Jump to navigation Jump to search
m (Added links, corrected some typos.)
m (Copyediting the copyediting of the copyediting.)
 
(5 intermediate revisions by 3 users not shown)
Line 1: Line 1:
−
Blabbermouves and their wifes simply do not understand the full intrications and subtleties behind the whole Forbidden Tom scene. A "Forbidden Tom" can only be a phrase that when, unreified, as it hath appeared in the pretagnonistic part of this sentence, denote thus: a couple who are both female sex'd and incumbent upon one another in social spirit mainly but oft' physickly too. Take it, I did, in the ides of March there was a play acted out at the [[Baleman|Bailman]]--or probably the Amplifeature in Folktown since the [[Baleman|Bailman]] was destructionified as we have it told by our grandparents in the early part of the preceeding one hundred years--that soothely told foreshawl of the wit and prolegomenonatry behind the entire Forbidden Tom whim. The play, conceived as a device in two separate conjunctions, was onbiddan to demonstrate the ethic and morale behind the seeming intertwist of femme paersonagges what are the new Toms only as Toms themselfs could say. That such as could expositionary tale-tell that [[Elminster Mire|Elminsyter Mirian]] ceremonies part play central to the acted precession since imbued in soltrification were the inceptors of that love which laughs between the Tombidden lovers.
+
Blabbermouths and their spouses simply do not understand the full intricacies and subtleties behind the whole '''Forbidden Tom''' scene. A "Forbidden Tom" is a couple both of whom are female; they are recumbent upon one another in social spirit mainly, but often physically too. The full details are doubtless unsuitable for this encyclopedia, but we will reveal what we may through the medium of fiction.
  
−
Whaet! The First Ack't, as it hath been duly accognizanced: That A Player, female, takes the stage and surely her sapphisty and protocol unchanged cry out to the crow'd whereupon a raven fair emerges from the public and vanquished by nature idolatry unto the actors' guild she's behoofed and carries alike their manner not such that she she be as obvious fraed be shown, but instead no, perhaps a hyponavarice is held to her by the very ackting of the play.
+
On -20/7/7 [[EC]], a play was performed  at the [[Folktown Amphitheatre|Amphitheatre]] in [[Folktown]] that revealed at least the elementary parts of the truth behind the entire Forbidden Tom ethos. The play, performed in two separate installments, was intended to demonstrate the ethics and morals behind the seeming intertwisting of female persons of the Tom persuasion. The plot reveals that ceremonies set in the [[Elminster Mire]] are central to the procession, since imbued in sultrification with the beginnings of the love which laughs between the Tom-bidden lovers.
  
−
The Second Ack't, thus accognizanced: a symbraldry of the pantheistic pregative of the hundred or two or foreleague and seven sevens years in which pass the love into familiarity, the familiarity into order, the order into kindness, and the kindness into ritual, the ritual which staggersly from the play unholds and love again follows as the winter the spring. Segways now unmittingly into that renderous love between Pholius and Efflessa, memorably liv'd and documented as well as thus would ever be played. Rapturous can the crowd now only be, and the Third Ack't may be preformed on the sleep straws of eventide.
+
In Act I, the heroine took the stage playing the [[Obovox]], and surely her sapphistry and protocol cried out to the well-nigh unhinged crowd; thereupon a raven-fair maiden emerged from the audience and, vanquished by the natural idolatry of the actors' guild, she hoofed it and carried herself not in fear but perhaps in the desire made suitable to her by the very action of the play.
  
−
Such was it that likely unspittersflay taking in whirlypool, but Forbidden Toms must to unfoiced avoid and to each other trike as liked they would or popular-court and sophistry as would be seen in  vials of [[Folktown Records]] and even the carziest symns of those [[Houvers]] that dwellances unto the houves are mere roofs to turfinine seemingry.
+
In Act II, a hundred (!) years later, love has passed into familiarity, familiarity into order, order into kindness, and kindness into ritual; the ritual then expresses itself through the play, and love again follows as the winter the spring. The play now moves unmitigatedly into that wondrous love between Pholius and Efflessa (?), memorably lived and documented as well as it could ever be. The crowd was filled with rapture, and most naturally performed Act III for themselves that very evening.
  
−
--[[User:Sbp|Sean B. Palmer]] 17:02, 15 Oct 2004 (EDT)
+
And so it was, that doubtless magniloquent event set in the [[Elminster Mire|Mire]]; Forbidden Toms today, however, must unforcedly avoid and trick each other (?) as much as they can. The popular sophistry seen in the files of the [[Folktown Records]] and even the craziest symbols of the [[Houvers]] are merely the rudiments of the Mire's illusions.
 +
 
 +
'''Citations''': [[Baleman]], [[Folktown Amphitheatre]], [[Obovox]].
 +
 
 +
--[[User:Jcowan|John Cowan]] 22:38, 24 Jun 2005 (EDT),<br />
 +
&#xA0;&#xA0;&#xA0;&#xA0;&#xA0;reconstructed from a barely intelligible palimpsest written by [[User:Sbp|Sean B. Palmer]] and dated 17:02, 15 Oct 2004 (EDT)
 +
 
 +
[[Category:Other]]

Latest revision as of 19:20, 27 June 2005

Blabbermouths and their spouses simply do not understand the full intricacies and subtleties behind the whole Forbidden Tom scene. A "Forbidden Tom" is a couple both of whom are female; they are recumbent upon one another in social spirit mainly, but often physically too. The full details are doubtless unsuitable for this encyclopedia, but we will reveal what we may through the medium of fiction.

On -20/7/7 EC, a play was performed at the Amphitheatre in Folktown that revealed at least the elementary parts of the truth behind the entire Forbidden Tom ethos. The play, performed in two separate installments, was intended to demonstrate the ethics and morals behind the seeming intertwisting of female persons of the Tom persuasion. The plot reveals that ceremonies set in the Elminster Mire are central to the procession, since imbued in sultrification with the beginnings of the love which laughs between the Tom-bidden lovers.

In Act I, the heroine took the stage playing the Obovox, and surely her sapphistry and protocol cried out to the well-nigh unhinged crowd; thereupon a raven-fair maiden emerged from the audience and, vanquished by the natural idolatry of the actors' guild, she hoofed it and carried herself not in fear but perhaps in the desire made suitable to her by the very action of the play.

In Act II, a hundred (!) years later, love has passed into familiarity, familiarity into order, order into kindness, and kindness into ritual; the ritual then expresses itself through the play, and love again follows as the winter the spring. The play now moves unmitigatedly into that wondrous love between Pholius and Efflessa (?), memorably lived and documented as well as it could ever be. The crowd was filled with rapture, and most naturally performed Act III for themselves that very evening.

And so it was, that doubtless magniloquent event set in the Mire; Forbidden Toms today, however, must unforcedly avoid and trick each other (?) as much as they can. The popular sophistry seen in the files of the Folktown Records and even the craziest symbols of the Houvers are merely the rudiments of the Mire's illusions.

Citations: Baleman, Folktown Amphitheatre, Obovox.

--John Cowan 22:38, 24 Jun 2005 (EDT),
     reconstructed from a barely intelligible palimpsest written by Sean B. Palmer and dated 17:02, 15 Oct 2004 (EDT)

Retrieved from "http://www.disobey.com/w/index.php?title=Ghyll:Forbidden_Tom&oldid=24773"